As a communication channel, body movements have been widely explored in behavioral studies and kinesics. Performing and visual arts share the same interests but focus on documenting and representing human body movements, such as for dance notation and visual work creation. This paper investigates body movements in oriental calligraphy and how to apply calligraphy principles to stimulate and archive body movements. Through an artwork (Wushu), the authors experiment with an interactive and generative approach to engage the audience's bodily participation and archive the body movements as a compendium of generated calligraphy. The audience assumes the role of both writers and readers; creating ("writing") and appreciating ("reading") the generated calligraphy becomes a cyclical process within this infinite "Book," which can motivate further attention and discussions concerning Chinese characters and calligraphy.

这篇论文研究了东方书法中的身体动作以及如何应用书法原则来激发和存档身体动作，通过艺术作品（武术），作者们尝试使用互动生成的方式来促使观众的身体参与，并将身体动作作为生成书法的集合进行存档。观众在这本无限的“书”中扮演着作家和读者的角色，创作（“写作”）和欣赏（“阅读”）生成的书法成为一个循环的过程，可以引起对汉字和书法的进一步关注和讨论。

身体动作存档：汉字书法的集体创作